Towards the end of Dave Grohl’s directorial debut, the rock documentary Sound City, drummer Mick Fleetwood warns us about “the downside” to all the technological advances that have so changed the face of music production: That they might lead a person into “thinking that ‘I can do this all on my own.’”
“Yes, you can do this all on your own,” Fleetwood quickly concedes. “But you’ll be a much happier human being to do it with other human beings. And I can guarantee you that.”
Sound City is at its best whenever it takes this tone – Which it does most of the time. Those of us who feared (like I did) that the film might come across as an ode to diamond-encrusted buggy whips, can breathe easy.
That’s not to say that Grohl and his interview subjects – the likes of Tom Petty, Paul McCartney, Rick Rubin – don’t pine for increasingly impractical analog technologies that have been largely supplanted over the years. Or that they don’t sometimes look down their noses on the digital tools that have come to dominate music production. They certainly do both, from time to time.
But when they do, it’s largely because they’re out to promote the values that these outmoded technologies tend to reinforce: Practice, preparation, dedication, collaborative spontaneity and that in-the-moment experience of making inspiring music with inspired peers.